Drop C left-handed scale chart
G# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Drop C.
G# Phrygian Dominant in Drop C tuning gives you the notes G#, A, C, C#, D#, E, F# across a mirrored left-handed fretboard. Drop C changes the whole guitar feel and emphasises the bass side, which is exactly where left-handed players usually need better visual references than mainstream sites provide. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|---------------------------------------------0--1--3--| A#|---------------------------------------2--3-----------| F|------------------------------1--3--4-----------------| C|------------------0--1--3--4--------------------------| G|------------1--2--------------------------------------| C|0--1--3--4--------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D#|---------------------------------------------0--1--3--| A#|---------------------------------------2--3-----------| F|------------------------------1--3--4-----------------| C|------------------0--1--3--4--------------------------| G|------------1--2--------------------------------------| C|0--1--3--4--------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D#|------------------------------------------3--5--6--| A#|---------------------------------3--5--6-----------| F|------------------------3--4--7--------------------| C|---------------3--4--6-----------------------------| G|---------5--6--------------------------------------| C|3--4--6--------------------------------------------|
3-7 frets • 17 note position run
Position 3 Tab
D#|---------------------------------------------9--10-12-| A#|------------------------------------8--10-11----------| F|---------------------------8--10-11-------------------| C|------------------8--9--12----------------------------| G|---------8--9--11-------------------------------------| C|8--9--12----------------------------------------------|
8-12 frets • 18 note position run
Position 4 Tab
D#|---------------------------------------------13-15-17-| A#|------------------------------------14-15-17----------| F|---------------------------13-15-16-------------------| C|------------------13-15-16----------------------------| G|---------13-14-17-------------------------------------| C|13-15-16----------------------------------------------|
13-17 frets • 18 note position run
Position 5 Tab
D#|---------------------------------------------18-21-22-| A#|------------------------------------18-20-22----------| F|---------------------------19-20-22-------------------| C|------------------18-20-21----------------------------| G|---------18-20-21-------------------------------------| C|18-20-21----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Drop C feels dense, aggressive and built for modern heavy rhythm guitar. It pushes mirrored riff shapes into a heavier, more modern register.
- G#
- A
- C
- C#
- D#
- E
- F#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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