Drop D left-handed scale chart
D# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Drop D.
D# Phrygian Dominant in Drop D tuning gives you the notes D#, E, G, G#, A#, B, C# across a mirrored left-handed fretboard. Drop D leaves most of the neck familiar but changes the bass side immediately, which is especially relevant for left-handed players who use mirrored rhythm charts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
E|------------------------------------------0--3--4--| B|---------------------------------0--2--4-----------| G|---------------------0--1--3--4--------------------| D|---------------1--2--------------------------------| A|------1--2--4--------------------------------------| D|1--2-----------------------------------------------|
0-4 frets • 17 note position run
Position 1 Tab
E|------------------------------------------0--3--4--| B|---------------------------------0--2--4-----------| G|---------------------0--1--3--4--------------------| D|---------------1--2--------------------------------| A|------1--2--4--------------------------------------| D|1--2-----------------------------------------------|
0-4 frets • 17 note position run
Position 2 Tab
E|---------------------------------------------4--6--7--| B|------------------------------------4--5--8-----------| G|---------------------------4--6--8--------------------| D|------------------5--6--8-----------------------------| A|---------4--6--7--------------------------------------| D|5--6--8-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
E|---------------------------------------------9--11-12-| B|------------------------------------9--11-12----------| G|---------------------------9--12-13-------------------| D|------------------9--11-13----------------------------| A|---------10-11-13-------------------------------------| D|9--11-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
E|---------------------------------------------15-16-18-| B|------------------------------------14-16-17----------| G|---------------------------15-16-18-------------------| D|------------------14-17-18----------------------------| A|---------14-16-18-------------------------------------| D|14-17-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
E|------------------------------------------18-19-21-| B|------------------------------------20-21----------| G|---------------------------18-20-21----------------| D|------------------18-20-21-------------------------| A|---------18-19-22----------------------------------| D|18-20-21-------------------------------------------|
18-22 frets • 17 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Drop D feels heavier on the low end while staying familiar on the top five strings. It makes low-string riffs and one-finger power movement faster to understand in left-handed view.
- D#
- E
- G
- G#
- A#
- B
- C#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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