Drop C left-handed scale chart
F# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Drop C.
F# Phrygian Dominant in Drop C tuning gives you the notes F#, G, A#, B, C#, D, E across a mirrored left-handed fretboard. Drop C changes the whole guitar feel and emphasises the bass side, which is exactly where left-handed players usually need better visual references than mainstream sites provide. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|---------------------------------------------1--3--4--| A#|---------------------------------0--1--3--4-----------| F|---------------------------1--2-----------------------| C|------------------1--2--4-----------------------------| G|---------0--3--4--------------------------------------| C|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D#|---------------------------------------------1--3--4--| A#|---------------------------------0--1--3--4-----------| F|---------------------------1--2-----------------------| C|------------------1--2--4-----------------------------| G|---------0--3--4--------------------------------------| C|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D#|---------------------------------------------4--7--8--| A#|------------------------------------4--6--8-----------| F|---------------------------5--6--8--------------------| C|------------------4--6--7-----------------------------| G|---------4--6--7--------------------------------------| C|4--6--7-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
D#|---------------------------------------------10-11-13-| A#|------------------------------------9--12-13----------| F|---------------------------9--11-13-------------------| C|------------------10-11-13----------------------------| G|---------9--11-12-------------------------------------| C|10-11-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
D#|------------------------------------------13-15-16-| A#|---------------------------------13-15-16----------| F|------------------------13-14-17-------------------| C|---------------13-14-16----------------------------| G|---------15-16-------------------------------------| C|13-14-16-------------------------------------------|
13-17 frets • 17 note position run
Position 5 Tab
D#|---------------------------------------------19-20-22-| A#|------------------------------------18-20-21----------| F|---------------------------18-20-21-------------------| C|------------------18-19-22----------------------------| G|---------18-19-21-------------------------------------| C|18-19-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Drop C feels dense, aggressive and built for modern heavy rhythm guitar. It pushes mirrored riff shapes into a heavier, more modern register.
- F#
- G
- A#
- B
- C#
- D
- E
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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