Whole Step Down left-handed scale chart
F# Blues Left-Handed Guitar Scale Chart
Blues scale notes, mirrored lefty fretboard positions and standard tab in Whole Step Down.
F# Blues in Whole Step Down tuning gives you the notes F#, A, B, C, C#, E across a mirrored left-handed fretboard. Whole step down changes the guitar response enough to affect bends, muting and attack, which is useful for heavier left-handed rhythm playing. Because the b5 often gets hit with attitude rather than precision, use the mirrored layout to keep the visual target honest before adding aggressive articulation.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------2--4--| A|---------------------------0--2--3--4--------| F|---------------------1--4--------------------| C|------------0--1--4--------------------------| G|------2--4-----------------------------------| D|2--4-----------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
D|---------------------------------------2--4--| A|---------------------------0--2--3--4--------| F|---------------------1--4--------------------| C|------------0--1--4--------------------------| G|------2--4-----------------------------------| D|2--4-----------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
D|---------------------------------------4--7--| A|---------------------------------4--7--------| F|---------------------4--6--7--8--------------| C|---------------4--6--------------------------| G|------4--5--6--------------------------------| D|4--7-----------------------------------------|
4-8 frets • 15 note position run
Position 3 Tab
D|---------------------------------------9--10-11-| A|---------------------------------9--12----------| F|---------------------------11-13----------------| C|---------------9--11-12-13----------------------| G|---------9--11----------------------------------| D|9--10-11----------------------------------------|
9-13 frets • 16 note position run
Position 4 Tab
D|---------------------------------------14-16-| A|------------------------------14-15-16-------| F|------------------------16-18----------------| C|------------------16-18----------------------| G|------14-16-17-18----------------------------| D|14-16----------------------------------------|
14-18 frets • 15 note position run
Position 5 Tab
D|------------------------------------19-21-22-| A|------------------------------19-21----------| F|---------------------18-19-20----------------| C|---------------18-21-------------------------| G|---------18-21-------------------------------| D|19-21-22-------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Blues feels gritty, tense and expressive and is useful for turnarounds, greasy phrasing and blues-rock solo work.
The blue note still sits in the same fret relationship shown in standard tab, even though the fretboard chart is mirrored for left-handed reading.
Treat the b5 as a passing colour and resolve it deliberately
Whole Step Down feels lower, wider and more elastic under the fingers. It gives familiar fingering a deeper voice without changing interval relationships.
- F#
- A
- B
- C
- C#
- E
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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