C Standard left-handed scale chart
G# Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
G# Whole Tone in C Standard tuning gives you the notes G#, A#, C, D, E, F# across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|------------------------------------0--2--4--| G|------------------------------1--3-----------| D#|------------------------1--3-----------------| A#|---------------0--2--4-----------------------| F|---------1--3--------------------------------| C|0--2--4--------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
C|------------------------------------0--2--4--| G|------------------------------1--3-----------| D#|------------------------1--3-----------------| A#|---------------0--2--4-----------------------| F|---------1--3--------------------------------| C|0--2--4--------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
C|---------------------------------------4--6--| G|------------------------------3--5--7--------| D#|---------------------3--5--7-----------------| A#|---------------4--6--------------------------| F|------3--5--7--------------------------------| C|4--6-----------------------------------------|
3-7 frets • 15 note position run
Position 3 Tab
C|------------------------------------8--10-12-| G|------------------------------9--11----------| D#|------------------------9--11----------------| A#|---------------8--10-12----------------------| F|---------9--11-------------------------------| C|8--10-12-------------------------------------|
8-12 frets • 15 note position run
Position 4 Tab
C|---------------------------------------14-16-| G|------------------------------13-15-17-------| D#|---------------------13-15-17----------------| A#|---------------14-16-------------------------| F|------13-15-17-------------------------------| C|14-16----------------------------------------|
13-17 frets • 15 note position run
Position 5 Tab
C|------------------------------------18-20-22-| G|------------------------------19-21----------| D#|------------------------19-21----------------| A#|---------------18-20-22----------------------| F|---------19-21-------------------------------| C|18-20-22-------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- G#
- A#
- C
- D
- E
- F#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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