C Standard left-handed scale chart
B Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
B Phrygian Dominant in C Standard tuning gives you the notes B, C, D#, E, F#, G, A across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|---------------------------------------------0--3--4--| G|------------------------------------0--2--4-----------| D#|------------------------0--1--3--4--------------------| A#|------------------1--2--------------------------------| F|---------1--2--4--------------------------------------| C|0--3--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
C|---------------------------------------------0--3--4--| G|------------------------------------0--2--4-----------| D#|------------------------0--1--3--4--------------------| A#|------------------1--2--------------------------------| F|---------1--2--4--------------------------------------| C|0--3--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
C|---------------------------------------------4--6--7--| G|------------------------------------4--5--8-----------| D#|---------------------------4--6--8--------------------| A#|------------------5--6--8-----------------------------| F|---------4--6--7--------------------------------------| C|4--6--7-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
C|---------------------------------------------9--11-12-| G|------------------------------------9--11-12----------| D#|---------------------------9--12-13-------------------| A#|------------------9--11-13----------------------------| F|---------10-11-13-------------------------------------| C|9--11-12----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
C|---------------------------------------------15-16-18-| G|------------------------------------14-16-17----------| D#|---------------------------15-16-18-------------------| A#|------------------14-17-18----------------------------| F|---------14-16-18-------------------------------------| C|15-16-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
C|------------------------------------------18-19-21-| G|------------------------------------20-21----------| D#|---------------------------18-20-21----------------| A#|------------------18-20-21-------------------------| F|---------18-19-22----------------------------------| C|18-19-21-------------------------------------------|
18-22 frets • 17 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- B
- C
- D#
- E
- F#
- G
- A
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
Library