Drop D left-handed scale chart
C Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Drop D.
C Phrygian Dominant in Drop D tuning gives you the notes C, C#, E, F, G, G#, A# across a mirrored left-handed fretboard. Drop D leaves most of the neck familiar but changes the bass side immediately, which is especially relevant for left-handed players who use mirrored rhythm charts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
E|------------------------------------0--1--3--4--| B|------------------------------1--2--------------| G|---------------------0--1--3--------------------| D|---------------2--3-----------------------------| A|------1--3--4-----------------------------------| D|2--3--------------------------------------------|
0-4 frets • 16 note position run
Position 1 Tab
E|------------------------------------0--1--3--4--| B|------------------------------1--2--------------| G|---------------------0--1--3--------------------| D|---------------2--3-----------------------------| A|------1--3--4-----------------------------------| D|2--3--------------------------------------------|
0-4 frets • 16 note position run
Position 2 Tab
E|------------------------------------------3--4--6--| B|------------------------------------5--6-----------| G|---------------------------3--5--6-----------------| D|------------------3--5--6--------------------------| A|---------3--4--7-----------------------------------| D|3--5--6--------------------------------------------|
3-7 frets • 17 note position run
Position 3 Tab
E|---------------------------------------------8--9--12-| B|------------------------------------8--9--11----------| G|---------------------------9--10-12-------------------| D|------------------8--10-11----------------------------| A|---------8--10-11-------------------------------------| D|8--10-11----------------------------------------------|
8-12 frets • 18 note position run
Position 4 Tab
E|---------------------------------------------13-15-16-| B|------------------------------------13-14-17----------| G|---------------------------13-15-17-------------------| D|------------------14-15-17----------------------------| A|---------13-15-16-------------------------------------| D|14-15-17----------------------------------------------|
13-17 frets • 18 note position run
Position 5 Tab
E|---------------------------------------------18-20-21-| B|------------------------------------18-20-21----------| G|---------------------------18-21-22-------------------| D|------------------18-20-22----------------------------| A|---------19-20-22-------------------------------------| D|18-20-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Drop D feels heavier on the low end while staying familiar on the top five strings. It makes low-string riffs and one-finger power movement faster to understand in left-handed view.
- C
- C#
- E
- F
- G
- G#
- A#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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