Drop D left-handed scale chart
G Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Drop D.
G Phrygian Dominant in Drop D tuning gives you the notes G, G#, B, C, D, D#, F across a mirrored left-handed fretboard. Drop D leaves most of the neck familiar but changes the bass side immediately, which is especially relevant for left-handed players who use mirrored rhythm charts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
E|---------------------------------------------1--3--4--| B|---------------------------------0--1--3--4-----------| G|------------------------0--1--4-----------------------| D|---------------0--1--3--------------------------------| A|---------2--3-----------------------------------------| D|0--1--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
E|---------------------------------------------1--3--4--| B|---------------------------------0--1--3--4-----------| G|------------------------0--1--4-----------------------| D|---------------0--1--3--------------------------------| A|---------2--3-----------------------------------------| D|0--1--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
E|---------------------------------------------3--4--7--| B|------------------------------------3--4--6-----------| G|---------------------------4--5--7--------------------| D|------------------3--5--6-----------------------------| A|---------3--5--6--------------------------------------| D|3--5--6-----------------------------------------------|
3-7 frets • 18 note position run
Position 3 Tab
E|---------------------------------------------8--10-11-| B|------------------------------------8--9--12----------| G|---------------------------8--10-12-------------------| D|------------------9--10-12----------------------------| A|---------8--10-11-------------------------------------| D|9--10-12----------------------------------------------|
8-12 frets • 18 note position run
Position 4 Tab
E|---------------------------------------------13-15-16-| B|------------------------------------13-15-16----------| G|---------------------------13-16-17-------------------| D|------------------13-15-17----------------------------| A|---------14-15-17-------------------------------------| D|13-15-17----------------------------------------------|
13-17 frets • 18 note position run
Position 5 Tab
E|---------------------------------------------19-20-22-| B|------------------------------------18-20-21----------| G|---------------------------19-20-22-------------------| D|------------------18-21-22----------------------------| A|---------18-20-22-------------------------------------| D|18-21-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Drop D feels heavier on the low end while staying familiar on the top five strings. It makes low-string riffs and one-finger power movement faster to understand in left-handed view.
- G
- G#
- B
- C
- D
- D#
- F
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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