DADGAD left-handed scale chart
F# Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
F# Whole Tone in DADGAD tuning gives you the notes F#, G#, A#, C, D, E across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
2-6 frets in mirrored left-handed view
7-11 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|------------------------------------2--4--6--| A|------------------------------3--5-----------| G|------------------------3--5-----------------| D|---------------2--4--6-----------------------| A|---------3--5--------------------------------| D|2--4--6--------------------------------------|
2-6 frets • 15 note position run
Position 1 Tab
D|------------------------------------2--4--6--| A|------------------------------3--5-----------| G|------------------------3--5-----------------| D|---------------2--4--6-----------------------| A|---------3--5--------------------------------| D|2--4--6--------------------------------------|
2-6 frets • 15 note position run
Position 2 Tab
D|---------------------------------------8--10-| A|---------------------------7-----9--11-------| G|---------------------7--9-----11-------------| D|---------------8--10-------------------------| A|------7--9--11-------------------------------| D|8--10----------------------------------------|
7-11 frets • 15 note position run
Position 3 Tab
D|---------------------------------------10-12-| A|---------------------------9-----11-13-------| G|---------------------9--11----13-------------| D|---------------10-12-------------------------| A|------9--11-13-------------------------------| D|10-12----------------------------------------|
9-13 frets • 15 note position run
Position 4 Tab
D|------------------------------------14-16-18-| A|------------------------------15-17----------| G|------------------------15-17----------------| D|---------------14-16-18----------------------| A|---------15-17-------------------------------| D|14-16-18-------------------------------------|
14-18 frets • 15 note position run
Position 5 Tab
D|------------------------------------18-20-22-| A|------------------------------19-21----------| G|------------------------19-21----------------| D|---------------18-20-22----------------------| A|---------19-21-------------------------------| D|18-20-22-------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- F#
- G#
- A#
- C
- D
- E
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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