Open G left-handed scale chart
G Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Open G.
G Phrygian Dominant in Open G tuning gives you the notes G, G#, B, C, D, D#, F across a mirrored left-handed fretboard. Open G stacks a major chord under the strings, which turns left-handed rhythm and slide ideas into a much more visual game than in standard tuning. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------0-----1--3--| B|------------------------------------0--1--3-----4--------| G|---------------------------0--1--4-----------------------| D|------------------0--1--3--------------------------------| G|---------0--1--4-----------------------------------------| D|0--1--3--------------------------------------------------|
0-4 frets • 19 note position run
Position 1 Tab
D|---------------------------------------------0-----1--3--| B|------------------------------------0--1--3-----4--------| G|---------------------------0--1--4-----------------------| D|------------------0--1--3--------------------------------| G|---------0--1--4-----------------------------------------| D|0--1--3--------------------------------------------------|
0-4 frets • 19 note position run
Position 2 Tab
D|---------------------------------------------3--5--6--| B|------------------------------------3--4--6-----------| G|---------------------------4--5--7--------------------| D|------------------3--5--6-----------------------------| G|---------4--5--7--------------------------------------| D|3--5--6-----------------------------------------------|
3-7 frets • 18 note position run
Position 3 Tab
D|------------------------------------------10-12-13-| B|------------------------------------12-13----------| G|---------------------------10-12-13----------------| D|------------------10-12-13-------------------------| G|---------10-12-13----------------------------------| D|10-12-13-------------------------------------------|
10-14 frets • 17 note position run
Position 4 Tab
D|---------------------------------------------15-17-18-| B|------------------------------------15-16-18----------| G|---------------------------16-17-19-------------------| D|------------------15-17-18----------------------------| G|---------16-17-19-------------------------------------| D|15-17-18----------------------------------------------|
15-19 frets • 18 note position run
Position 5 Tab
D|---------------------------------------------18-21-22-| B|------------------------------------18-20-21----------| G|---------------------------19-20-22-------------------| D|------------------18-21-22----------------------------| G|---------19-20-22-------------------------------------| D|18-21-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Open G feels rootsy, slide-friendly and chord-rich. It makes partial chords, droning harmonies and slide-friendly shapes easier to hear quickly.
- G
- G#
- B
- C
- D
- D#
- F
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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