C Standard left-handed scale chart
D# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
D# Phrygian Dominant in C Standard tuning gives you the notes D#, E, G, G#, A#, B, C# across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|---------------------------------------------1--3--4--| G|---------------------------------0--1--3--4-----------| D#|------------------------0--1--4-----------------------| A#|---------------0--1--3--------------------------------| F|---------2--3-----------------------------------------| C|1--3--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
C|---------------------------------------------1--3--4--| G|---------------------------------0--1--3--4-----------| D#|------------------------0--1--4-----------------------| A#|---------------0--1--3--------------------------------| F|---------2--3-----------------------------------------| C|1--3--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
C|---------------------------------------------3--4--7--| G|------------------------------------3--4--6-----------| D#|---------------------------4--5--7--------------------| A#|------------------3--5--6-----------------------------| F|---------3--5--6--------------------------------------| C|3--4--7-----------------------------------------------|
3-7 frets • 18 note position run
Position 3 Tab
C|---------------------------------------------8--10-11-| G|------------------------------------8--9--12----------| D#|---------------------------8--10-12-------------------| A#|------------------9--10-12----------------------------| F|---------8--10-11-------------------------------------| C|8--10-11----------------------------------------------|
8-12 frets • 18 note position run
Position 4 Tab
C|---------------------------------------------13-15-16-| G|------------------------------------13-15-16----------| D#|---------------------------13-16-17-------------------| A#|------------------13-15-17----------------------------| F|---------14-15-17-------------------------------------| C|13-15-16----------------------------------------------|
13-17 frets • 18 note position run
Position 5 Tab
C|---------------------------------------------19-20-22-| G|------------------------------------18-20-21----------| D#|---------------------------19-20-22-------------------| A#|------------------18-21-22----------------------------| F|---------18-20-22-------------------------------------| C|19-20-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- D#
- E
- G
- G#
- A#
- B
- C#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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